All Atkinson Grimshaw 's Paintings

The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters

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Choice ID Image  Painting (From A to Z)       Details 
44675 A Lane by Moonlight with Twon Figures  A Lane by Moonlight with Twon Figures   mk174 1880 Oil on board 45.1x35.5cm
44610 A Mossy Glen  A Mossy Glen   mk174 1864 Oil on board 54.7x65cm
44653 A Street in Old Scarborough  A Street in Old Scarborough   mk174 c.1877 Pencil 12.2x18.2cm
44659 A Street in Old Scarborough  A Street in Old Scarborough   mk174 1877 Oil on board laid on panel 42x26.7cm
44682 A Yorkshire Home  A Yorkshire Home   mk174 1878 Oil on canvas 81.3x122cm
44676 At Anchor  At Anchor   mk174 1893 Oil on board 23.5x47.6cm
1853 Autumn  Autumn   Roy Miles Gallery, London, England
44624 Autumn Glory  Autumn Glory   mk174 1869 Oil on board 62.3x87.5cm
1864 Autumn Morning  Autumn Morning   Oil on canvas 20.00 x 30.00 in
44634 Autumn Regrets  Autumn Regrets   mk174 1882 Oil on canvas 61x91.5cm
44665 Baiting the Lines,Whitby  Baiting the Lines,Whitby   mk174 1884 Oil on canvas 50.6x76cm
44616 Barden Tower,Yorkshire  Barden Tower,Yorkshire   mk174 1868 Watercolour and Bodycolour 39.4x54cm
44702 Barnes Terrace  Barnes Terrace   mk174 1886 Pencil 11.4x18cm
44611 Blea Tarn at First Light,Langdale Pikes in the Distance  Blea Tarn at First Light,Langdale Pikes in the Distance   mk174 1865 Oil on canvas 35.5x45.7cm
44679 Boar Lane,Leeds by Lamplight  Boar Lane,Leeds by Lamplight   mk174 1881 Oil on canvas 48.9x76.8cm
44617 Bolton Woods  Bolton Woods   mk174 1870 Oil on board 76.2x63.5cm
32785 Bowder Ston  Bowder Ston   mk81 Borrowdale c.1863-8
32784 Bowder Ston,  Bowder Ston,   mk81 Borrowdale c.1863-8
1859 Bowder Stone, Borrowdale  Bowder Stone, Borrowdale   c1863-1888 157.48 x 211.02 in
44620 Burnsall Valley Wharfedale  Burnsall Valley Wharfedale   mk174 c.1868 Watercolour with bodycolour and gum arabic 25.4x19.1cm
1854 Day Dreams  Day Dreams  
44640 Detail of Dulce Domum  Detail of Dulce Domum   mk174
44693 Detail of Nab Scar  Detail of Nab Scar   mk174
44652 Detail of Scarborough Bay  Detail of Scarborough Bay   mk174
44647 Detail of Two Thousand Year Ago  Detail of Two Thousand Year Ago   mk174
44633 Dulce Domum  Dulce Domum   mk174 1876-85 Oil on canvas 83x122cm
1855 Elaine  Elaine  
44656 Elaine  Elaine   mk174 1877 Oil on canvas 82.5x122cm
1856 Elaine 2  Elaine 2  
1852 Endymion on Mount Latmus  Endymion on Mount Latmus   1879 Oil on canvas 12.60 x 18.50 in
44677 Evening Glow  Evening Glow   mk174 c.1884 Oil on canvas 28.5x43cm
44609 Fair Maids of February  Fair Maids of February   mk174 1862 Oil on canvas 35.6x30.5cm
44643 Fiamella  Fiamella   mk174 1883 Oil on canvas 61x45.7cm
44660 Forge Valley,near Scarborough  Forge Valley,near Scarborough   mk174 1875 Oil on canvas
44612 From Nature near Adel  From Nature near Adel   mk174 1861 Oil on board 37.5x28.9cm
44632 Full Moon Behind Cirrus Cloud From the Roundhay Park Castle Battlements  Full Moon Behind Cirrus Cloud From the Roundhay Park Castle Battlements   mk174 1872 Oil on board 43x54.5cm
44619 Ghyll Beck Barden Yorkshire Early Spring  Ghyll Beck Barden Yorkshire Early Spring   mk174 1867 Oil on board 76.2x63.5cm
44683 Golden Light  Golden Light   mk174 1893 Oil on canvas 45.7x68.6cm
1847 Greenock Dock  Greenock Dock   Oil on canvas 11.50 x 17.52 in
44705 Half-Tide  Half-Tide   mk174 1884 Oil on canvas 55.9x91.5cm
1860 Hampstead  Hampstead   1881 13.50 x 17.52 in
44646 Il Penseroso  Il Penseroso   mk174 1875 Oil on canvas 59.7x49.5cm
70392 In Peril  In Peril   Medium Oil on canvas Dimensions 76.2 ?? 127 cm
44655 In Peril  In Peril   mk174 c.1877-9 Pencil 12.2x36.4cm
44657 In Peril  In Peril   mk174 Oil on canvas 81.3x119.4cm
44644 In the pleasure  In the pleasure   mk174 1875 Oil on canvas 45.7x73.7cm
44623 Ingleborough from under White Scar  Ingleborough from under White Scar   mk174 1868 72x91.5cm
1850 Iris  Iris   1886 Oil on canvas 31.89 x 48.03 in
44645 Iris  Iris   mk174 1886 Oil on canvas 81.5x122.2cm
44688 Knostrop Cut Leeds  Knostrop Cut Leeds   mk174 1893 Oil on panel 15.9x36.2cm
44628 Knostrop Hall Early Morning  Knostrop Hall Early Morning   mk174 1870 59.7x90.2cm
44680 Knostrop Hall Leeds  Knostrop Hall Leeds   mk174 1882 Oil on board 34.3x43.2cm
1861 Knostrop Hall, Early Morning  Knostrop Hall, Early Morning   1870 Oil on canvas 24.02 x 36.26 in
44672 Leeds Bridge  Leeds Bridge   mk174 1880 Oil on canvas 75x121.9cm
44697 Lights in the Harbour  Lights in the Harbour   mk174 1879 Oil on canvas 82.5x121.9cm
1848 Liverpool Custom House  Liverpool Custom House   Oil on board 7.01 x 15.00 in
44661 Liverpool Quary by Moonlight  Liverpool Quary by Moonlight   mk174 1887 Oil on canvas 61x91.4cm
1843 Liverpool Quay by Moonlight  Liverpool Quay by Moonlight   1887 240.16" x 359.84" Private collection
44664 Liverpoool from Wapping  Liverpoool from Wapping   mk174 c.1875 Oil on canvas 59.7x88.9cm
1846 London Bridge, Half Tide  London Bridge, Half Tide   1884 Oil on canvas 22.05 x 35.83 in
44635 Meditation  Meditation   mk174 ca.1875 Oil on canvas
1851 Midsummer Night  Midsummer Night   1876 22.83" x 35.04"
44695 Mr Flowers Sketch  Mr Flowers Sketch   mk174 12.2x18.2cm
44639 My Wee White Rose  My Wee White Rose   mk174 1882 Oil on canvas 76.5x48.2cm
44694 Nab Scar  Nab Scar   mk174 1864 Oil on board 40.6x50.8cm
1844 Nightfall Down the Thames  Nightfall Down the Thames  
1845 Nightfall Down the Thames  Nightfall Down the Thames   1880 Leeds City Art Gallery
44669 Nightfall down the Thames  Nightfall down the Thames   mk174 1880 Oil on board 40.2x63.1cm
44699 Nightfall in the Harbour Scarborough  Nightfall in the Harbour Scarborough   mk174 1881 Oil on canvas 58.4x91.4cm
44686 November Morning  November Morning   mk174 1883 Oil on canvas 50.8x76.2cm
44696 November Morning on the River Wharfe  November Morning on the River Wharfe   mk174 1866 Oil on canvas 69.8x90.2cm
1858 October Gold  October Gold   1889 23.23 x 17.52 in
44703 On the Thames Barnes  On the Thames Barnes   mk174 1886 Oil on canvas 61x91.5cm
44673 Park Row,Leeds  Park Row,Leeds   mk174 1882 Oil on canvas 76.2x63.5cm
44662 Prince-s Dock Hull  Prince-s Dock Hull   mk174 1887 Oil on card 30.5x49.5cm
44674 Reflections on the Aire On Strike  Reflections on the Aire On Strike   mk174 1879 Oil on canvas 81.2x121.9cm
44671 Reflections on the Thames Westminster  Reflections on the Thames Westminster   mk174 1880 Oil on canvas 76.2x127cm
23308 rNightfall down the Thames (nn03)  rNightfall down the Thames (nn03)   1880 Oil on board 40.2 x 63.1 cm 15 7/8 x 24 7/8 in Leeds City Art Gallery Leeds
44638 Rouce at Night  Rouce at Night   mk174 1878 Oil on canvas 81.2x119.4cm
44687 Sand,Sea and Sky A Summer Fantasy  Sand,Sea and Sky A Summer Fantasy   mk174 1892 Oil on board 30.5x45.7cm
44649 Scarborough Bay  Scarborough Bay   mk174 1871 Oil on canvas 60.4x90.2cm
44651 Scarborough from Seats near the Grand Hotel  Scarborough from Seats near the Grand Hotel   mk174 1878 Oil on canvas 50.8x76.2cm
44698 Scarborough Skyline  Scarborough Skyline   mk174 c.1877 Pencil 12.2x18.2cm
44637 Scene at the Theatre  Scene at the Theatre   mk174 c.1880-90 Pencil with ink 12.2x18.2cm
44663 Shipping on the Clyde  Shipping on the Clyde   mk174 1881 Oil on board 30.5x50.8cm
44650 Sic Transit Gloria Mundi The Burning of the Spa Saloon Scarborough  Sic Transit Gloria Mundi The Burning of the Spa Saloon Scarborough   mk174 1876 Oil on canvas 82.5x122cm
44684 Sixty Years Ago  Sixty Years Ago   mk174 1879 Oil on canvas 81.3x122cm
44685 Sliver Moonlight  Sliver Moonlight   mk174 1886 Oil on cnavas 76.2x63.5cm
1857 Snowbound  Snowbound   1883 Oil on canvas 29.92 x 20.08 in
44629 Snowbound  Snowbound   mk174 1883-4 Oil on canvas 76.2x50.8cm
44654 Spa after the Fire  Spa after the Fire   mk174 1876 Pencil 12.2x18.2cm
1849 Spirit of the Night  Spirit of the Night   1879
44608 Spring  Spring   mk174 1875 Oil on canvas 61x91cm
44681 St Anne-s Lane,Headingley  St Anne-s Lane,Headingley   mk174 c.1880-5 Oil on board 35.5x45.7cm
1862 Stapleton Park near Pontefract  Stapleton Park near Pontefract   1882 Oil on canvas 20.08 x 29.92 in
44690 Study of Beeches  Study of Beeches   mk174 1872 Oil on card 42.5x54.6cm
44636 Summer  Summer   mk174 1875 Oil on canvas 63.5x76.2cm
44621 Sunset from Chilworth Common  Sunset from Chilworth Common   mk174 Hampshire 1868 Oil on canvas 39.5x60cm
88711 Thames  Thames   1880(1880) Medium Oil on board cyf
44614 The Bowder Stone Borrowdale  The Bowder Stone Borrowdale   mk174 c.1865 Oil on canvas 40.5x54cm

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Atkinson Grimshaw
British 1836-1893 Atkinson Grimshaw Gallery Grimshaw's primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate color and lighting, and vivid detail. He often painted landscapes that typified seasons or a type of weather; city and suburban street scenes and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow also figured largely in his art. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood. His "paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene." Dulce Domum (1855), on whose reverse Grimshaw wrote, "mostly painted under great difficulties," captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening. Grimshaw painted more interior scenes, especially in the 1870s, when he worked until the influence of James Tissot and the Aesthetic Movement. On Hampstead Hill is considered one of Grimshaw's finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons. His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson ?? pictures including Elaine and The Lady of Shalott. (Grimshaw named all of his children after characters in Tennyson's poems.) In the 1880s, Grimshaw maintained a London studio in Chelsea, not far from the comparable facility of James Abbott McNeill Whistler. After visiting Grimshaw, Whistler remarked that "I considered myself the inventor of Nocturnes until I saw Grimmy's moonlit pictures."[9] Unlike Whistler's Impressionistic night scenes, however, Grimshaw worked in a realistic vein: "sharply focused, almost photographic," his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording "the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry." Some artists of Grimshaw's period, both famous and obscure, generated rich documentary records; Vincent Van Gogh and James Smetham are good examples. Others, like Edward Pritchett, left nothing. Grimshaw left behind him no letters, journals, or papers; scholars and critics have little material on which to base their understanding of his life and career. Grimshaw died 13 October 1893, and is buried in Woodhouse cemetery, Leeds. His reputation rested, and his legacy is probably based on, his townscapes. The second half of the twentieth century saw a major revival of interest in Grimshaw's work, with several important exhibits of his canon.



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